Imposed Memories: Revisiting Iconic Images of the Cuban Exile in Daina Chaviano's "The Island of Eternal Love"
Abstract
In the introduction to Cubanisimo, Cristina Garcia states that for almost half a century Cuban writers have been evoking three distinct Cuban cultures in their literary productions: that of the Revolution, uneasily in place since 1959; that of nostalgia in Miami, where the exiles' dream ofreclaiming the homeland is kept alive daily at the dinner table and on radio shows that proclaim "Next year in Havana!"; and that of the cultural hybridism found in the thriving Cuban Diasporas in New York , Mexico City, Madrid, and other hospitable cities" (xiii). In correlation with these three traits, literary productions by Cuban writers have also defined and celebrated Cubanness- being it in the island or in exile. Garcia's quote seems to reveal certain homogeneity among the discourse created by Cuban writers around the revolution, nostalgia and hybridity. However, despite the commonalities aforementioned, one would expect some divergences and plurality in the literary (re)creations.
Downloads
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. By submitting to Céfiro, the author grants to Céfiro the non-exclusive right to reproduce, translate (as defined below), and/or distribute your submission worldwide in print and electronic format and in any medium, including but not limited to audio or video.
2. The author agrees that Céfiro may, without changing the content, translate the submission to any medium or format for the purpose of preservation.
3. The author agrees that Céfiro may keep more than one copy of this submission for purposes of security, backup and preservation.
4. The author represents that the submission is his/her original work, and that s/he has the right to grant the rights contained in this agreement. The author also represents that his/her submission does not, to the best of his/her knowledge, infringe upon anyone's copyright.
5. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.