El Naturalismo en Hispanoamérica a comienzos del siglo XXI en Amores Perros
Abstract
A traves del arte cinematografico y de una visión neo-naturalista esperpéntica, la película mexicana Amores Perros, del director Alejandro Gonzalez Iñarritu, nos ofrece un vistazo de la identidad de la ciudad latinoamericana a comienzos del siglo XXI.
¿Por qué hablar de una visión neo-naturalista esperpéntica? Porque de todos los -ismos literarios que se enfocan en lo feo, tales como el expresionismo, el tremendismo o hasta el mismo naturalismo clásico, Amores Perros despliega una agenda político- filosófica en la cual el ser humano, como entidad social, es guiado por su ambiente y sus pasiones. Esta combinación sitúa y envuelve al individuo en circunstancias autodestructivas al intentar cambiar o escapar de su ambiente.
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