La subversión del mundo incaico en el drama La piedra cansada de César Vallejo
Resumen
Un entendimiento cabal de la obra de Vallejo no puede prescindir de su visión muy personal de la realidad peruana. En este contexto, he escogido analizar el drama La piedra cansada (1937) porque este nos muestra cómo Vallejo, a través de un profundo conocimiento de la civilización inca, se permite manejar magistralmente las variables sociales, políticas, culturales y religiosas de aquella época para recrearlas y, a la vez, para subvertirlas.
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